- News
- Everything
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Works
- Familiar (Clas Ohlson)
- Resonanz
- Pigeonhole Principle
- Doorstop
- More Secure Than Ever
- Microdose
- Microeconomics
- Also
- Sunflower Seeds
- Diskurs über das Neue
- Various Drawings
- Setup for Nothing
- Stadtschloss
- Silence Recordings
- Nothing explained
- 500 Lumen
- Alarm Clock Orchestra
- Die Freunde
- Skinfade
- Waiting Session
- Much Ado About Nothing
- 48 Words
- Again
- Stranger Than Fiction
- Keep going west
- Bells
- X-Rays
- 2nd Hand Secrets
- Passport
- Verlak
- untitled (this one work I lost in limbo)
Lena: Remember when we talked about that performance piece by Vanessa Brazeau and Stefan Klein?
Michio: Sure, it was called Again, right? Where you had to, like, pick a piece of folded paper with a time printed on it and when that time came, you had to open it and at that exact moment act out the instructions written inside. Well, it was sort of a distortion of time and space, one movement performed in parts by a large group of people.
Lena: Yeah, when I arrived in the morning to open the CHB I thought the movement of unlocking the door would be peorfect for that piece. It’s something no one witnesses, an act everyone is excluded from. Including the audience would be a way of integrating them in the daily situation of opening and closing. It would propose a different form of exclusion, since the movement as a whole would stay invisible and focus instead on its fragmentation, the rearrangement of an action.
Michio: True, and it’s actually really nice that it’s so unlikely that the piece can be witnessed in its entirety. It’s like breaking with the expectation of cultural consumption. I think we are on to something Lena, maybe it can be worked out.
[first performed: 6.2.2017 Montag Modus // Collegium Hugaricum Berlin]